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Who killed captain Alex?: Une comédie d'action scandaleuse pour seulement 85 dollars? C'est possible en Ouganda, où le producteur / réalisateur / monteur / polyvalent Nabwana Isaac Godfrey Geoffrey est l'homme derrière «Wakaliwood». Film d'action délicieusement extravagant sur la guerre totale entre les Forces de défense du peuple ougandais et le chef de gang complètement pervers Richard. Bad Black: Dans les bidonvilles de Kampala, en Ouganda, une jeune fille s'enfuit de chez elle et se retrouve dans un réseau de traite d'enfants dirigé par un ancien commando des Forces de défense du peuple ougandais. Un jour, alors qu'elle ramasse des restes de métal, elle est violemment agressée par le multimillionnaire Hirigi lorsqu'elle prend par erreur le pneu de sa camionnette. Après avoir enduré des semaines d'abus et avoir vu d'autres enfants être assassinés de sang-froid, la jeune fille prend les choses en main et tue le chef de file. Dix ans plus tard, la jeune fille a grandi pour devenir "Bad Black", leader du plus grand syndicat du crime à Kampala...

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Of irony as a figure of speech we are commonly aware: it is an everyday conversational weapon. But there are other ironies, those of allegory, of understatement, of detachment, of fate; and especially there is irony in drama. Professor Sedgewick shows how the various meanings of irony have developed -- through Socrates, with his "urbane pretence"; through Bacon, Schlegel, and Tieck; through Bishop Thirlwall, whose essay on the irony of Sophocles was a landmark in the history of English dramatic criticism; and through R.G. Moulton's books on drama. Professor Sedgewick examines closely the notion of irony in drama, and skillfully analyses that delight in contrast of appearance and reality, in the combination of superior knowledge and detached sympathy, which the spectator finds in contemplating the performance of the whole or individual parts of a play. This analysis is accompanied by masterly expositions of impressive scenes from Shakespeare and Ibsen, but especially from the Greek tragedians. The author concludes with a detailed application of his suggestions to Othello. He believes that a realization of how Shakespeare has saturated the play from the beginning with irony used as a means of dramatic preparation will answer the absurdities of Rymer and show that it is not necessary to suppose a convention called The Calumniator Credited in order to accept the temptation scene.

Irony. --- Drama --- History and criticism.

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Auscultation.

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The book focuses on how to implement discrete wavelet transform methods in order to solve problems of reaction–diffusion equations and fractional-order differential equations that arise when modelling real physical phenomena. It explores the analytical and numerical approximate solutions obtained by wavelet methods for both classical and fractional-order differential equations; provides comprehensive information on the conceptual basis of wavelet theory and its applications; and strikes a sensible balance between mathematical rigour and the practical applications of wavelet theory. The book is divided into 11 chapters, the first three of which are devoted to the mathematical foundations and basics of wavelet theory. The remaining chapters provide wavelet-based numerical methods for linear, nonlinear, and fractional reaction–diffusion problems. Given its scope and format, the book is ideally suited as a text for undergraduate and graduate students of mathematics and engineering.

Differential Equations. --- Fourier analysis. --- Differential equations, partial. --- Ordinary Differential Equations. --- Fourier Analysis. --- Partial Differential Equations. --- Partial differential equations --- Analysis, Fourier --- Mathematical analysis --- 517.91 Differential equations --- Differential equations --- Wavelets (Mathematics) --- Wavelet analysis --- Harmonic analysis --- Differential equations. --- Partial differential equations.